Gainsborough’s Landscapes: Themes and Variations
The exhibition runs until January 22, 2012
Gainsborough’s Landscapes: Themes and Variations is the first exhibition in fifty years devoted solely to his landscape paintings and drawings, bringing together remarkable works from public and private collections, many of them little known and some not previously exhibited. For Gainsborough, if portraiture was his business, landscape painting was his pleasure, and his landscape paintings and drawings reveal his mind at work, the extraordinary breadth of his invention and the dazzling quality of his technique.
Thomas Gainsborough (1727-1788) sold relatively few of his landscape paintings, and none of his drawings, but he regarded them as his most important work. His paintings do not represent real views, but are creations ‘of his own Brain’, as he put it. A limited number of rural subjects exercised his imagination from one decade to the next, changing as he developed an increasingly energetic ‘hand’, or manner of painting, and becoming ever grander in conception.
The exhibition includes some of his most famous and popular works including The Watering Place from the National Gallery (the most famous of all his landscape compositions in his life-time) and less well-known works such as the little-seen but ravishing Haymaking from Woburn. The paintings have been selected to represent six landscape themes; the remarkable drawings and prints show Gainsborough returning to these themes and demonstrate the longevity of each theme and the degree of experimentation that was involved in the search for the perfect composition.
The evolution of Gainsborough’s style is traced from early naturalistic landscapes in the Dutch manner, enlivened with small figures (pictured above), to grand scenery that is dramatically lit and obviously imaginary, such as the Romantic Landscape from the Royal Academy of Arts. In the Girl with Pigs, from the Castle Howard Collection, a rustic figure takes centre stage: fancy figures of this kind are, in Gainsborough’s art, closely integrated with his landscape practice.
The exhibition is accompanied by
an illustrated book, written by Susan Sloman and published by
Philip Wilson Publishers for £14.99. The book will be
available from all good bookshops from 30 September. Following
the show at the Holburne Museum the exhibition will travel to
Compton Verney (link) from February 11 to June
Exhibition admission £6.95 /
The exhibition is sponsored by Lowell Libson Ltd and supported by the Friends of the Holburne Museum
At the same time as Gainsborough’s Landscapes the Holburne Museum will show a small selection of contemporary landscape photography by Mark Edwards.
Times: 10am to 5pm, Sunday 11am to 5pm